Wifey Wednesday: Major Lazer, Florence + The Machine vs Calvin Harris, Miguel, Frank Ocean, Usher + The Hood Internet
Being that it was
unfortunately probably my most popular weekly post, I had to bring it back. But I don’t have much time to rant about pointless shit (you’re welcome?) so I’ll just get right into it…
Ursher baby. Dude is like the Tim Duncan of R & B. He quietly keeps coming back to kill this shit! Add a bunch of “HWUH” courtesy of Ricky Ross and you got yourself a hit.
Majah Lazah! More mellow than what we’re use to hearing from these dudes, but amazing nonetheless. I wish I knew how to describe electronically produced sounds, because I would be more specific. But all in all, I love the sounds in this song. Soft female vocals always a plus as well.
I went to the Calvin Harris show in Chicago a couple months back…let’s just say I did not fit in. The wifey really likes this one. Me too. Gets the people goin!
I like to think that I discovered Miguel because I fell in love with that “Sure Thing” joint when I heard it off some obscure new school mixtape back in 09 before anyone gave a shit. Obviously, that is ridiculous. But still, I knew dude had talent right from the start. Well, seems like that talent is growing, and “it’s just a matter of time”, literally, before he get’s it all. This one works really well in the motivation department.
This is the first single/popworthy song I’ve heard from Frank, and I’m not mad either. I do like the obscure dark sounding shit from Mr. Ocean slightly better, but dude has gotta eat, right?
Just in case you weren’t feeling the electronic R & B vibe, you might like the indie.
NPR on that Krizzle, I love it. The official release is slated for June 5th, and you can now believe it. I haven’t had a chance to take a listen yet, but honestly, when I know I’m going to buy it anyway I usually like to wait until after I can purchase the official copy. But if for some insane reason you’re still not sold on Krit, and still need to check it out before contributing to the save hip hop foundation, by all means take a listen……you may also need to reevaluate your taste in Hip Hop as well.
Follow Link to Listen: Live From The Underground Album Stream
Memorial Weekend Rap Up: A$AP Rocky, Swizz Beats, Big K.R.I.T, Dom Kennedy, Aesop Rock, Juicy J, Freddie Gibs, 2 Chainz, Mac Miller, Asher Roth + More
In the words of the legendary Timbo, “It’s been a long time. I shouldn’t have left you without a dope beat to step to.” I don’t feel like getting into the excuses for my hiatus, nor can I say it won’t happen again. But I will say this; If someone wants to pay me for the hours I spend looking for legit, quality music (especially rap, which is like trying to find classy wifey material out at the club. You can do it, but shit, listening to some of that garbage can take a toll on ya), not to mention writing something halfway intelligent about it, then by all means let me know and I’ll never take another day off the rest of my life. Any who, let’s get right into this cuz I got plenty of material for ya’ll all week long…
This dude A$AP is blowing up fast, and so far he hasn’t swayed from his original style. One can’t count on that forever, so enjoy the early material while the gettin’s good. Attention all producers: Please keep making bangers for this dude. ***Updated: This was previously featured on the Funk back in April, but this guy is wayyy behind still… and it’s that good***
Joe Budden has a line in the forgettable club anthem “Fire” from his early years that goes, “I’m glad producers charge so high for they tracks. Now they do it all, you just applying the
wrap rap.” In most cases, it couldn’t be more true. Now I don’t know how much “La Musica de Harry Fraud” costs, but I bet he makes a pretty penny. I can’t get enough of this hypnotizing masterpiece right here. Thankfully, Action and Rif don’t fuck up the packaging.
I just came up on this one this morning, so I haven’t listened to it long enough to determine if it has any replay value. But Gibbs and Tip rarely disappoint, and the beat is decent enough for a “ridin’ round the city” mixtape.
Add this one to the aforementioned “mean muggin’ in the whip” mixtape. I had this one blasting with the windows down last night, ooh wee.
I usually rip on artists with unimaginative slow motion flows, but none of that matters if the beat is right. And this my type of banger. Seriously though Dom, “money give me a boner?” Really?
I’m more embarrassed that I’m sharing a song with 2 Chainz rather than Justin Bieber. I just don’t understand why 2 Chainz pops up everywhere nowadays and has a stan-like following? While I may have just answered my own question, still, It’s slightly more annoying than the Gucci Mane phase. At least Gucci came out on the scene and from the start made a name for himself earning the right to bank off the stupid noises that came out of his mouth over hood beats. 2 Chainz on the other hand, literally had to make a new name for himself so no one would associate him with his worthless early years as Tity Boi. It’s just more evidence of rap being overcome by the business suit strategy. Seriously, here we have an artist simply renaming himself yet providing the same garbage, just as a company would rename themselves after a scandal or something yet producing the same shitty product. And people buy it! What the fuck people, we as consumers have the power to demand better. Fuck, I’m just getting myself upset. But seriously, this instrumental is a problem and Justin
Timberlake 2.0 Bieber kills the hook.
Another remix featuring some artists that should not be allowed to spit more than one verse at time. One of my favorite cuts off 4Eva N A Day. Live From The Underground finally on the way!
Never heard of this Bas dude, but I’m definitely feeling the flow and the way he flips Rihanna “You Da One” into what most respectable dudes would probably now say to Rihanna after years of showing us just how little respect she deserves/demands. But damn, she fine.
Hopefully you made it all the way down to the bottom cuz I had to save the best for last. I’ve been rocking this on repeat for almost a month now and until today, only the below lines really made any sense to me. Aesop Rock does not make easy-listen songs for first grade level listeners to be able to follow along. I suggest you do as I did, which is enjoy the impeccable flow over the adrenaline fueling instrumental for a while and then take a gander at Rap Genius’s line by line interpretation : http://rapgenius.com/Aesop-rock-zero-dark-thirty-lyrics#note-697016. ”
“Are we supporting the artist or enabling the addict
I mean, I guess it matters to me
I wish it mattered to you
How a thousand virtues
Kick the same bucket like Chinatown turtles”