Memorial Weekend Rap Up: A$AP Rocky, Swizz Beats, Big K.R.I.T, Dom Kennedy, Aesop Rock, Juicy J, Freddie Gibs, 2 Chainz, Mac Miller, Asher Roth + More
In the words of the legendary Timbo, “It’s been a long time. I shouldn’t have left you without a dope beat to step to.” I don’t feel like getting into the excuses for my hiatus, nor can I say it won’t happen again. But I will say this; If someone wants to pay me for the hours I spend looking for legit, quality music (especially rap, which is like trying to find classy wifey material out at the club. You can do it, but shit, listening to some of that garbage can take a toll on ya), not to mention writing something halfway intelligent about it, then by all means let me know and I’ll never take another day off the rest of my life. Any who, let’s get right into this cuz I got plenty of material for ya’ll all week long…
This dude A$AP is blowing up fast, and so far he hasn’t swayed from his original style. One can’t count on that forever, so enjoy the early material while the gettin’s good. Attention all producers: Please keep making bangers for this dude. ***Updated: This was previously featured on the Funk back in April, but this guy is wayyy behind still… and it’s that good***
Joe Budden has a line in the forgettable club anthem “Fire” from his early years that goes, “I’m glad producers charge so high for they tracks. Now they do it all, you just applying the
wrap rap.” In most cases, it couldn’t be more true. Now I don’t know how much “La Musica de Harry Fraud” costs, but I bet he makes a pretty penny. I can’t get enough of this hypnotizing masterpiece right here. Thankfully, Action and Rif don’t fuck up the packaging.
I just came up on this one this morning, so I haven’t listened to it long enough to determine if it has any replay value. But Gibbs and Tip rarely disappoint, and the beat is decent enough for a “ridin’ round the city” mixtape.
Add this one to the aforementioned “mean muggin’ in the whip” mixtape. I had this one blasting with the windows down last night, ooh wee.
I usually rip on artists with unimaginative slow motion flows, but none of that matters if the beat is right. And this my type of banger. Seriously though Dom, “money give me a boner?” Really?
I’m more embarrassed that I’m sharing a song with 2 Chainz rather than Justin Bieber. I just don’t understand why 2 Chainz pops up everywhere nowadays and has a stan-like following? While I may have just answered my own question, still, It’s slightly more annoying than the Gucci Mane phase. At least Gucci came out on the scene and from the start made a name for himself earning the right to bank off the stupid noises that came out of his mouth over hood beats. 2 Chainz on the other hand, literally had to make a new name for himself so no one would associate him with his worthless early years as Tity Boi. It’s just more evidence of rap being overcome by the business suit strategy. Seriously, here we have an artist simply renaming himself yet providing the same garbage, just as a company would rename themselves after a scandal or something yet producing the same shitty product. And people buy it! What the fuck people, we as consumers have the power to demand better. Fuck, I’m just getting myself upset. But seriously, this instrumental is a problem and Justin
Timberlake 2.0 Bieber kills the hook.
Another remix featuring some artists that should not be allowed to spit more than one verse at time. One of my favorite cuts off 4Eva N A Day. Live From The Underground finally on the way!
Never heard of this Bas dude, but I’m definitely feeling the flow and the way he flips Rihanna “You Da One” into what most respectable dudes would probably now say to Rihanna after years of showing us just how little respect she deserves/demands. But damn, she fine.
Hopefully you made it all the way down to the bottom cuz I had to save the best for last. I’ve been rocking this on repeat for almost a month now and until today, only the below lines really made any sense to me. Aesop Rock does not make easy-listen songs for first grade level listeners to be able to follow along. I suggest you do as I did, which is enjoy the impeccable flow over the adrenaline fueling instrumental for a while and then take a gander at Rap Genius’s line by line interpretation : http://rapgenius.com/Aesop-rock-zero-dark-thirty-lyrics#note-697016. ”
“Are we supporting the artist or enabling the addict
I mean, I guess it matters to me
I wish it mattered to you
How a thousand virtues
Kick the same bucket like Chinatown turtles”