Weekend Rap Up: Kendrick Lamar, DJ Drama ft 2 Chainz & Meek Mill & Jeremih, 1982 ft Big K.R.I.T., S-Preme, Bas + Jon Connor
You know, I get really frustrated with rap music sometimes. First of all, there are way too many rappers nowadays. And second, way too much money and fame gets credited to undeserving/untalented assholes. But it’s dudes like Kendrick that keep me coming back. You see, there will always be the business aspect corrupting the game. And there will always be wannabe rappers over-saturating the internet. But there will also forever be masterful young talents coming up under the radar that eventually, with enough push from the true hip hop fans, will get their chance to shine and rep the genre the right way. Exhibit A…
I couldn’t NOT post a 2 Chainz song if I even tried. The dude is literally EVERYWHERE. I gotta say though, this is probably one of the more respectable verses I’ve heard from him. Although, I do try to avoid him at all costs, so what do i know. I will say this also; I don’t hate what the dude is doing. I know I hate on him, but it’s more of me hating on the game. Is hip hop really turning into a hype machine likened to fashion trends decided by some clown overseas (exec) who passes that down to someone famous (rapper) who then leads the sheep of the world to follow suit? Regardless, I like this song. Thank you Meek Mill and Jeremih.
I’m a big fan of the sound that Statik creates for Termanology to showcase his lyricism. It seems only right for Big K.R.I.T. to jump on that same canvas and deliver his “indestructible flow.”
This dude is a spitter, period. He’s not your typical “hard” gun/coke/money rapper. It’s crazy to think about in today’s ego-infalted materialistic rap game, but get this; dude lets his rap skills do the talking. Waaaaoooooooowwwww.
I just recently discovered this Bas dude, and I think more than anything I just like his vibe. He seems like a chill, lighthearted dude with a nice flow and natural content selection. He’s not reaching like some of these clowns trying to make up for their insecurities. I dig that shit. This joint is pretty smooth btw.
Sometimes I get sucked into looking for new songs for hours on end. It’s like a nervous addiction that can’t be stopped once begun, or at least until I find that joint that finally satisfies my hunger for the day. I almost gave up this morning, but told myself I’d give it one more page of listens before I call it a day. Much to my delight I found this Jon Connor link at the bottom of the page (page 17 to be exact) and took a listen with hopes he would quench my desire. Oh, and it was good. With a little help from BRIX’ utilization of a sample from one of thee GREATEST RAP SONGS OF ALL TIME (along with the chipmunked Gavin DeGraw hook, as pointed out by the wifey), JC and his uncanny lyrical prowess comes through in the clutch.
Memorial Weekend Rap Up: A$AP Rocky, Swizz Beats, Big K.R.I.T, Dom Kennedy, Aesop Rock, Juicy J, Freddie Gibs, 2 Chainz, Mac Miller, Asher Roth + More
In the words of the legendary Timbo, “It’s been a long time. I shouldn’t have left you without a dope beat to step to.” I don’t feel like getting into the excuses for my hiatus, nor can I say it won’t happen again. But I will say this; If someone wants to pay me for the hours I spend looking for legit, quality music (especially rap, which is like trying to find classy wifey material out at the club. You can do it, but shit, listening to some of that garbage can take a toll on ya), not to mention writing something halfway intelligent about it, then by all means let me know and I’ll never take another day off the rest of my life. Any who, let’s get right into this cuz I got plenty of material for ya’ll all week long…
This dude A$AP is blowing up fast, and so far he hasn’t swayed from his original style. One can’t count on that forever, so enjoy the early material while the gettin’s good. Attention all producers: Please keep making bangers for this dude. ***Updated: This was previously featured on the Funk back in April, but this guy is wayyy behind still… and it’s that good***
Joe Budden has a line in the forgettable club anthem “Fire” from his early years that goes, “I’m glad producers charge so high for they tracks. Now they do it all, you just applying the
wrap rap.” In most cases, it couldn’t be more true. Now I don’t know how much “La Musica de Harry Fraud” costs, but I bet he makes a pretty penny. I can’t get enough of this hypnotizing masterpiece right here. Thankfully, Action and Rif don’t fuck up the packaging.
I just came up on this one this morning, so I haven’t listened to it long enough to determine if it has any replay value. But Gibbs and Tip rarely disappoint, and the beat is decent enough for a “ridin’ round the city” mixtape.
Add this one to the aforementioned “mean muggin’ in the whip” mixtape. I had this one blasting with the windows down last night, ooh wee.
I usually rip on artists with unimaginative slow motion flows, but none of that matters if the beat is right. And this my type of banger. Seriously though Dom, “money give me a boner?” Really?
I’m more embarrassed that I’m sharing a song with 2 Chainz rather than Justin Bieber. I just don’t understand why 2 Chainz pops up everywhere nowadays and has a stan-like following? While I may have just answered my own question, still, It’s slightly more annoying than the Gucci Mane phase. At least Gucci came out on the scene and from the start made a name for himself earning the right to bank off the stupid noises that came out of his mouth over hood beats. 2 Chainz on the other hand, literally had to make a new name for himself so no one would associate him with his worthless early years as Tity Boi. It’s just more evidence of rap being overcome by the business suit strategy. Seriously, here we have an artist simply renaming himself yet providing the same garbage, just as a company would rename themselves after a scandal or something yet producing the same shitty product. And people buy it! What the fuck people, we as consumers have the power to demand better. Fuck, I’m just getting myself upset. But seriously, this instrumental is a problem and Justin
Timberlake 2.0 Bieber kills the hook.
Another remix featuring some artists that should not be allowed to spit more than one verse at time. One of my favorite cuts off 4Eva N A Day. Live From The Underground finally on the way!
Never heard of this Bas dude, but I’m definitely feeling the flow and the way he flips Rihanna “You Da One” into what most respectable dudes would probably now say to Rihanna after years of showing us just how little respect she deserves/demands. But damn, she fine.
Hopefully you made it all the way down to the bottom cuz I had to save the best for last. I’ve been rocking this on repeat for almost a month now and until today, only the below lines really made any sense to me. Aesop Rock does not make easy-listen songs for first grade level listeners to be able to follow along. I suggest you do as I did, which is enjoy the impeccable flow over the adrenaline fueling instrumental for a while and then take a gander at Rap Genius’s line by line interpretation : http://rapgenius.com/Aesop-rock-zero-dark-thirty-lyrics#note-697016. ”
“Are we supporting the artist or enabling the addict
I mean, I guess it matters to me
I wish it mattered to you
How a thousand virtues
Kick the same bucket like Chinatown turtles”